Lets get it on marvin gaye
‘Let’s Get It On’: Marvin Gaye’s Profound Travelog
Marvin Gaye was at a crossroads. For the enhanced part of a decade, he had made his career as the clean-shaven, suit-wearing “Prince of Motown.” He had a nice home on Outer Operate in Detroit, in a tree-lined neighborhood next to his favorite golf course. He had a young son and was friends with local celebrities and athletes.
Now, Motown was relocating its headquarters to Los Angeles and Gaye faced a decision about where to ground his operations. His self-produced What’s Going On had just been a smashing, image-and-culture-shifting success. His eventual emigration from Detroit was more complicated than most people realize. A new Deluxe Edition of Gaye’s 1973 album Let’s Receive It On tells the detailed story of this period for the first time. The novel collection exposes a transitional period, when Marvin was moving his creative center from Detroit to L.A.
Gaye was not a stranger to the West Coast. He had recorded there, played at nightclubs like The Trip and Cocoanut Grove, and regularly filmed spots for national television. He had even acted in a couple of low-budget films. But moving his whole creative company wa
Let's Get It On (Remastered 2003)
What do you undertake for an encore after you’ve just released a certified, game-changing masterpiece? That was the disagree facing Motown maestro Marvin Gaye after his What’s Going On opus was released in 1971. After 1972’s Trouble Man soundtrack, Let’s Get It On was the proper follow-up to one of the greatest albums of all time. But instead of suffering a seemingly inevitable letdown under the weight of all that pressure, Gaye leveled up again to make back-to-back classics. Indeed, Let’s Get It On defined the R&B concept album every bit as much as What’s Going On did, trading social consciousness for sexual healing in turbulent, soul-testing times. It was a different kind of wokeness—raising your libido between the sheets instead of your fist out in the streets—but no less revolutionary. There is no foreplay along this journey to erotic enlightenment. The album makes its intimate intentions clear from the first notes of the testosterone-charged title track, as Gaye comes on strong with a swag and swerve unheard in his earlier Motown material. But while there is a gritty sexuality that doesn’t leave much to the imagination, th
Marvin Gaye Let’s Acquire It On Review
Marvin Gaye’s second major operate of the 70s is also one of his most famous. Let’s Obtain It On, eight sensual songs about the execute of love, has, for many listeners, come to define Gaye’s popular persona as soul music’s premier love man.
Let’s Get It On appeared after a period of doubt and anxiety about where his career was going monitoring the critical and commercial success of 1971’s What’s Going On, an album full of his eco-cosmic concerns. A dalliance with out-and-out political protest faltered, and after his jazzy Trouble Man soundtrack, Gaye returned to the studio. Besotted with his recent young girlfriend Janis Sportsman, he let his emotions run riot and created a work that was to update the 60s heartthrob role he’d so unwillingly played at Motown.
Like his later Sexual Healing, this album’s title road – his biggest US hit of all – is the very essence of Marvin Gaye as the sensualist, ruminating on his basic desire for pleasure. However, his spirituality is never far away, and the act of love is turned into something sacred, culminating in his rasp to perceive sanctified on its
Classic Tracks: Marvin Gaye’s “Let’s Get It On”
"Let's Get It On" embraces care and lust, the spiritual and the carnal fused together in an uplifting union. Recording it was not as simple.
By Blair Jackson
Marvin Gaye is certainly one of the most striking singers and songwriters this country has ever produced, a towering talent whose influence on R&B, and popular harmony in general, is immeasurable. He had several different, unique periods of accomplishment that stretched over a quarter-century, from the early ’60s until his tragic death in 1984; and each phase of his career is interesting for different reasons. With more than 50 charting R&B hits to choose from, we could be running Marvin Gaye “Classic Tracks” columns for the next few years, but for now we’ll choose his deliciously sensual masterpiece from 1973, “Let’s Become It On.”
Like so many of his African American contemporaries, Gaye (born Marvin Queer Jr. in Washington, D.C., in 1939; as an grown-up, he added the “e” to emulate one of his idols, Sam Cooke) got his originate singing and playing organ in church. His father, a minister in the ultra-conservative Pentecostal